About the Exhibit
Protesting Unfreedom at Revolution
CULTURAL BELONGINGS OF BLACK AND INDIGENOUS HISTORIES IN EARLY AMERICA
Protesting Unfreedom at Revolution: Cultural Belongings of Black and Indigenous Histories in Early America explores Black and Indigenous narratives of freedom and unfreedom at the creation of the United States through belongings. An examination of these curated items of material culture raises critical questions about the importance of protest, dissent, violence, and force among those who were enslaved, indentured, or otherwise vulnerable. Through an exploration and emphasis on each cultural belonging, the exhibit examines how Black and Indigenous people experienced and shaped the Revolutionary era, as well as the founding of American democracy while challenging our understanding of freedom, belonging, and identity.
The exhibit also features the work of a select group of artists, performers, curators, community members, students, and scholars who respond to individual pieces of material culture.
Through a diverse range of multimedia responses, the project aims to promote a plurality of voices and to present a stratified history in a digital exhibition that draws the past into the present. This dialogue seeks to disrupt accepted ideas surrounding this formative period in the history of the United States. We encourage you to consider each narrative and reflect upon questions of our shared past.
Protesting Unfreedom at Revolution is part of a broader series of public programs presented by the National Park Service in conjunction with other cultural partners.
This online exhibit draws from a variety of upcoming projects anticipating the 250th anniversary of the Declaration of Independence, and from time spent consciously planning better ways to tell a more complex, nuanced, and representative history of our very messy past.
Why “Cultural Belongings?”
The planning group made a conscious decision in choosing the term “Cultural Belongings” when referring to the belongings featured in the exhibit. “Cultural Belongings” or “belongings” are words meant to decolonize the terms “artifact” or “object.” “Cultural Belongings” emphasize the belonging — the connection to a person, culture, and community. This language allows us to contextualize the belonging as in relationship with the people, animals, plants, land, and waters. The belonging belongs to the people and place.
Thank you to those who collaborated and contributed to this exhibit:
Contributing Institutions
- Historic Beverly
- Independence National Historical Park
- Massachusetts Historical Society
- Morristown National Historical Park
- Museum of African American History, Boston and Nantucket
- Revolutionary Spaces
- Tantaquidgeon Museum, Mohegan Tribe of Indians of Connecticut
Respondents
- Maestro Robert W. ButtsComposer and Conductor
- Dr. Tara BynumAssistant Professor of English and African American Studies, University of Iowa
- DzidzorAuthor, Educator, Performing Artist
- Dr. Kim GallonAssociate Professor, Brown University
- Savita MaharajStudent, Northeastern University
- Kendall RomaineCaptain, U.S. Army
- Melissa Tantaquidgeon ZobelMedicine Woman, Mohegan Tribe
Exhibit Collaborators
- Kabria BaumgartnerAssociate Professor of History & Africana Studies, Northeastern University
- Ken DavisExhibit Planner, Harpers Ferry Center
- Lori EricksonCollections Manager, Revolutionary Spaces
- Thomas LaRoseGraduate Student in History, Northeastern University
- Nicole MartinNational Park Service Mellon Fellow
- Angel NievesProfessor of Africana Studies, History, and Digital Humanities; Director Public Humanities, Northeastern University
- James NymanRegional Archeologist, Region 1, National Park Service
- Alicia ParesiMuseum Curator, Region 1, National Park Service
- Giles ParkerRegional Curator, Region 1, National Park Service
- Morgan RichardsGraduate Student in History, Northeastern University
- Kimberly RobinsonStaff Curator, Harpers Ferry Center, National Park Service
- Emma SilvermanLecturer, California State University, Sacramento; Researcher, National Park Service
- Lorén SpearsExecutive Director of Tomaquag Museum
- David VecchioliMuseum Curator, National Parks of Boston
- Northeastern University Public History ProgramBoston, Massachusetts